“Wood” and “Honey” capture the playfulness of true love, while songs like “WI$HLI$T” and “Elizabeth Taylor” see love not as a distraction from her life’s work but as the very thing that makes it feel meaningful. Many of the love songs on Swift’s more recent albums are brimming with anxiety, from Lover’s “Cornelia Street” (“I hope I never lose you, hope it never ends”) to folklore’s “Peace” (“The rain is always gonna come if you’re standing with me”). One of the biggest takes by critics — that borderlines on sexist at times — is that Swift won’t be able to write good, reflective music that cuts deep like the songs that orbit around heartache and pain.
On “Father Figure,” she flips the power dynamic between a “showman,” someone who thought they were pulling the strings, and a showgirl. On stage, fans were seeing the same steadfast, resilient showgirl they were seeing throughout the tour perform three-hour sets. After The Tortured Poets Department provided insight into how she coped during the beginning of the tour while dealing with two relationships breaking down, producing tracks like “The Smallest Man Who Ever Lived” and “loml,” The Life of a Showgirl is a sharp turn in the other direction. The 12-track record is an amalgamation of what was going on behind the scenes throughout the latter half of The Eras Tour. Take a look at how tracks like “The Fate of Ophelia” and “The Life of a Showgirl” hint that Swift is happier and more inspired than ever.
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In contrast to the fairytale motifs and happy endings of Fearless, evermore saw Swift become fixated on “unhappy” endings — stories of failed marriages (“happiness”), lifeless relationships (“tolerate it”), and one-time flings (“’tis the damn season”). Like its (literally) folklorian sister, evermore was a surprise release at the end of 2020, marking the first time Swift didn’t have distinct “eras” between albums. It was exciting enough for Swifties to experience one surprise album drop from Swift, an artist who typically has an entire album campaign calculated. At the 2021 GRAMMYs, folklore took home Album Of The Year, making her the fourth artist in history to win three times in the Category. After its release, folklore became the best-selling album of 2020 after selling 1.2 million records. Lover became Swift’s sixth No. 1 album in America, making her the first female artist to achieve the feat.
Who is Rihanna?
- In addition to being a talented recording artist, Rihanna is a billionaire entrepreneur with multiple successful business ventures.
- Despite these difficulties, Rihanna showcased resilience and creativity from a young age, channeling her personal experiences and pain into music.
- The dance-pop and R&B heavy record, which debuted at No. 2 on the Billboard 200 chart, featured several hit songs, including the singles “Don’t Stop the Music,” “Shut Up and Drive,” and “Hate That I Love You” with Ne-Yo.
- Along with giving GRAMMY gold to the likes of Smashing Pumpkins, Slayer and Vampire Weekend, the Recording Academy has embraced the odd musical spooktacular in several forms.
- Instead of writing songs akin to “I Can Do It With A Broken Heart,” a song about performing in the midst of heartbreak and grief, Swift opted to focus on what people don’t necessarily see when they buy a ticket to a show.
Everything that happened after the success of Fearless pushed Swift from country music’s best-kept secret to a mainstream star. It might not be the romantic tale Swift dreamed of growing up, but her sophomore album signalled that bigger things were to come. It won Swift’s first Album Of The Year GRAMMY in 2010, at the time making her the youngest person to win the accolade at age 20.
She formed a girl group with two classmates; when they were 15 years old, they scored an audition with music producer Evan Rodgers, who was visiting the island with his Barbadian wife. She is also a businesswoman who owns multiple ventures, including the popular cosmetics line Fenty Beauty and the lingerie brand Savage X Fenty. For her work on the single, Rihanna received her first Academy Award nomination, for best original song. Rihanna began working on a new record, but the project was delayed as she took a break from music.
- After Rihanna signed with Def Jam, Jay-Z and his team spent three months completing her debut studio album.
- As the world eagerly awaits new music, celebrate 20 years of Rihanna with the monstrous hits, ambitious projects, brow-raising visuals, and iconic collabs that propelled her to international stardom — and why it’s all put her in a league of her own.
- The album feels like one big celebration of life, as evidenced by Rihanna’s fire-engine red hair and No. 1 singles “Only Girl (In the World)” and “What’s My Name?” (the latter of which was Rih’s first collaboration with Drake).
- Along with having more eyes on her, Swift also felt pressured to maintain her persona as a perfect young female role model amid a time when her peers like Miley Cyrus and Demi Lovato were attempting to rebrand to be more mature and sexier.
- Retrospective and reflective, Speak Now is an album about the speeches she could’ve, would’ve and should’ve said.
And on Aug. 13, she opened up about the concept and creation of the record on her now-fiancé Travis Kelce’s podcast, “New Heights.” To help explain this chapter of her life, Swift brings together a myriad of collaborators — from Stevie Nicks as fellow poetess, to duets with Florence Welch and Post Malone — and leans on real and fictional characters, like Clara Bow, Peter Pan (“Peter”), and Patti Smith. It pokes fun at so-called fans who overstep with her personal life (“But Daddy I Love Him”), says goodbye to a city that gave her a home (“So Long London”), and muses on how her own celebrity has stunted her growth (“Who’s Afraid Of Little Old Me?”). As a result, there had arguably never been more excitement for a Taylor Swift album than for The Tortured Poets Department — especially because the announcement came on the heels of her lucky 13th GRAMMY win in February.
Rihanna cuts off questioner outside courthouse
Following the release of Unapologetic and the ensuing tour, she expressed a desire to take a break from recording, saying she wanted “a year to just do whatever I want artistically, creatively”. That same month, the Official Charts Company reported she had sold 3.87 million records in the country over the past year, placing her at number one among the 2013 Brit Awards artist nominees. Rihanna’s seventh studio album, titled Unapologetic, was released on November 19, 2012. A dance-oriented pop and R&B album, Talk That Talk opened at number three on the US Billboard 200 with first-week sales of 198,000 copies, while debuting atop the UK Albums Chart with 163,000 units sold. Rihanna aimed to explore more sexually expressive themes on her sixth studio album, Talk That Talk, which was released on November 18, 2011. A dance-pop record, Loud debuted at number three in the US with first-week sales of 207,000 copies.
Highly regarded as Swift’s magnum opus, Red sees the singer shed the fairytale dresses and the girl-next-door persona to craft a body of work that has now been deemed as her first “adult” record. Writing the entire album herself, Swift used Speak Now to prove her songwriting prowess to those who questioned her capabilities. For the first time since becoming an artist, she was forced to reckon with the concept of celebrity and how turning into one — whether she wanted it or not — informed her own writing and perception of herself. On the album’s liner notes, Swift says Fearless is about “living in spite” of the things that scare you, like falling in love again despite being hurt before or walking away and letting go.
Rihanna became the youngest and fastest solo artist in Billboard Hot 100 history to accumulate ten number-one singles. In late 2008, she released “Rehab”, the fifth and final single from Good Girl Gone Bad; it peaked betista casino within the top 20 of the charts in both the US and UK. The following singles, “Shut Up and Drive” and “Hate That I Love You”, saw moderate success, while the album’s fourth single, “Don’t Stop the Music”, peaked at number three in the US.
Eventually, her bold move to the United States at 16 years old marked the beginning of her journey to stardom, as she pursued her passion for singing and songwriting with determination. Despite these difficulties, Rihanna showcased resilience and creativity from a young age, channeling her personal experiences and pain into music. She is the eldest of three siblings, navigating a childhood fraught with challenges, including her father’s struggles with substance abuse and her parents’ tumultuous marriage, which ultimately ended in divorce when she was just 14. Rihanna, born Robyn Rihanna Fenty on February 20, 1988, in St. Michael Parish, Barbados, is a globally renowned pop star, singer, and fashion icon.
Rihanna Biography
It topped the Billboard Hot 100 for seven consecutive weeks and peaked at number two in the UK; it was also the latter country’s best-selling song of 2010. In June 2010, she collaborated with rapper Eminem on the single “Love the Way You Lie”. In support of the album, Rihanna embarked on the Last Girl on Earth tour from 2010 to 2011. The single “Rude Boy” peaked atop the Hot 100 for six weeks, while “Russian Roulette” and “Hard” both peaked within the top ten.
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In 2015, Rihanna became the first artist in history to have 100 million singles digitally downloaded and streamed. Interestingly, Unapologetic was the first Rihanna album to hit No. 1 on the pop charts. “Umbrella” topped the Billboard singles chart and earned Rihanna her first Grammy Award for Best Rap/Sung Collaboration. In 2007, Rihanna effected a transformation from teen pop princess to superstar and sex symbol with her third album, Good Girl Gone Bad, fueled by its smash hit lead single “Umbrella,” featuring Jay-Z. In early 2011 the album’s sexually provocative single “S&M” became her 10th number one Billboard hit—which made her, at age 23, the youngest artist ever to reach that milestone.
No longer was she the girl writing songs like “Fifteen” in her bedroom — now she was working through becoming a highly publicized figure. Although Swift’s eponymous debut is underappreciated now — even lacking its own set on Swift’s Eras Tour — Taylor Swift’s forthcoming rerecording is arguably the most anticipated by fans, who are eager to hear the songs with the singer’s current and more refined vocals. The album’s lead single, “Tim McGraw,” an acoustic country ballad inspired by Swift knowing her relationship was going to end, represents an intricate part of Swift’s songwriting process; meticulously picking apart her emotions to better understand them. As a songwriter, Taylor Swift set the tone for what would be expected of her future recordings — all songs were written by her, some solely and others with one or two co-writers.
Swift opted to lean more into radio-friendly hits, which resulted in songs like “Style,” “Wildest Dreams,” “Blank Space,” and “Shake It Off,” all of which became singles. Often mentioned as a record that inspired a generation of artists from Troye Sivan to Conan Gray, Swift’s confessional, soul-bearing authenticity set a new standard for straightforward pop music. Much like her previous two albums, Swift included songs that were both inspired by her own life and being a fly on the wall. During her NYU commencement speech in 2022, she reflected on this era of her life as one of intense fear that she could make a mistake and face lasting consequences, so the songs were masked in metaphors rather than directly addressing adult themes in her music. Serving as a snapshot of Swift’s life and teenhood, she avoided songwriting stereotypes typically found in country music.
Rihanna returned to her more upbeat sound with her fifth studio album, Loud, which was released on November 12, 2010. The album debuted at number four on the Billboard 200 chart and sold 181,000 copies in its first week. The incident and its aftermath influenced her artistically, prompting her to begin work on her fourth studio album, titled Rated R, one month after the Grammy Awards. The reissue of Good Girl Gone Bad, subtitled Reloaded, was released on June 2; selling 63,000 copies in its first week, it helped the original album rise to number seven in the US. The resulting album, Good Girl Gone Bad, was released on May 31, 2007, to critical acclaim. Aiming to dismiss her girl-next-door image in favour of a more mature and rebellious persona, she worked with such producers as Ne-Yo, Timbaland, Justin Timberlake, and Tricky Stewart for the album.
Off stage, though, she was falling in love again — this time with someone who championed her just as much as the fans did in the areas. It’s apt that she would turn to Max Martin and Shellback, her 1989 and reputation collaborators, to bring that same captivating pop soundscape to The Life of a Showgirl and to capture some of the energy Swift was experiencing. And after two decades in the business, the 14-time GRAMMY winner is giving everyone a glimpse of what she describes as “the most infectiously joyful, wild, dramatic” chapter of her life thus far.
Rihanna
Although Jay-Z initially thought “Pon de Replay” was too big for a new artist, he invited her to audition. Rihanna’s demo was sent to rapper Jay-Z, who had just become the president and CEO of the record label Def Jam Recordings. In 2005, she became the first artist to sign with Syndicated Rhythm Productions, the production company founded by Rogers and Carl Sturken. Unnamed and without original material, the girl group auditioned for American producer Evan Rogers, who recalled that “the minute Rihanna walked into the room, it was like the other two girls didn’t exist”. Though she initially planned to finish high school, she ultimately dropped out at age 16 to pursue a music career. Signed to Def Jam Recordings, she debuted with the Caribbean-inspired records Music of the Sun (2005) and A Girl Like Me (2006), both of which reached the top ten of the US Billboard 200.
It was a very vulnerable time in my life, and I refused to let that be the image. In addition to being a talented recording artist, Rihanna is a billionaire entrepreneur with multiple successful business ventures. Rihanna’s latest work, Anti, arrived in January 2016, topping the mainstream album chart for two weeks. In June 2007, Rihanna released her third album, Good Girl Gone Bad, to much fanfare. The album’s second single, “If It’s Lovin’ That You Want,” made it into the top 40. Rihanna released her debut album, Music of the Sun, in August 2005.
The thing that differentiated her from other writers — and still does to this day — is her songwriting. The world now knows Taylor Swift as a global pop superstar, but back in 2006, she was just a doe-eyed country prodigy. Despite its ghoulish title, artificial intelligence appears to be the object of terror in what many, including the GRAMMY voters who awarded it Best Pop Duo/Group Performance in 2024, regard as the highlight of SZA’s sophomore. But four years after the Team Edward vs Team Jacob saga wrapped up, folk hero Jason Isbell proved mythical bloodsuckers weren’t a barrier to awards success. David Bowie fans may well feel aggrieved that his post-punk classic “Scary Monsters (and Super Creeps)” was entirely ignored by GRAMMY voters, while the bro-step banger it inspired was showered with awards. It’s a bold feminist act that helped power parent album CrazySexyCool to diamond status and was deservedly rewarded with Best R&B Performance By A Duo Or Group With Vocal at the 1996 GRAMMYS (where CrazySexyCool was also crowned Best R&B Album).
Swift also found a new sense of creativity within this new mindset, one where she aimed to still embed playful themes in her songwriting but with less snark than that of “Blank Space” and “Look What You Made Me Do.” Leaning into Lover being a “love letter to love,” Swift explored every aspect of it. After finding love amongst chaos with reputation, Swift was learning to deal with the anxiety and fear of losing her partner — became a major theme of another aptly titled album, Lover. With time, though, it became clear that the response to reputation became muddled with the public’s overall perception of her at the time — some even claimed that Swift was ahead of her time with the album’s overall sound. Although Swift said that the album has its vindictive moments — even declaring that the “old Taylor” is dead on the bridge of “Look What You Made Me Do” — it’s a vulnerable record for her. Following the release of 1989, Swift became a cultural juggernaut, and the album has had an omnipresence in music since. And where some might trade a hit or two at the expense of their artistic integrity, Swift didn’t falter — instead, her lyrics were just as heartfelt and intimate as they were on prior albums.